2017 Through skin
2017 Through skin
2017 Through Skin
2017 Through Skin
2017 Through Skin
2017 Through Skin
2017 Through Skin
2017 Through Skin
2017 As Long As The Night Is Dark
2017 As Long As The Night Is Dark
2017 As long as the night is dark
2017 As long as the night is dark
2017 As Long As The Night Is Dark
2017 As Long As The Night Is Dark
2015 Make Believe
2015 Make Believe
2016 Drawing to an end
2016 Drawing to an end
2016 Drawing to an end
2016 Drawing to an end
2014 Pervasive Flesh
2014 Pervasive Flesh
2014 Botany of the heart
2014 Botany of the heart
2017 Through skin
2017 Through skinTalitha Kennedy, Installation shot: Through Skin, 2017, Umbrella Studio Contemporary Arts, Townsville.
2017 Through Skin
2017 Through SkinTalitha Kennedy, Empty again and again, 2017. Leather, thread, polyester fibre and wire. 180 x 80 x 30 cm.
2017 Through Skin
2017 Through SkinLeft: Talitha Kennedy, A fragile mess of contact (Peel), 2017. Ink on paper. 108 x 79 cmRight: Talitha Kennedy, A fragile mess of contact (Flay), 2017. Ink on paper. 108 x 79 cm
2017 Through Skin
2017 Through SkinTalitha Kennedy, The wild being eats out its own path, 2017. Leather, thread, polyester fibre, wire and found demolition blocks. 95 x 60 x 40 cm.
2017 As Long As The Night Is Dark
2017 As Long As The Night Is Dark(detail) Talitha Kennedy, Effigy for repressed entropy, 2015. Leather, thread, polyester fibre, wire and gravel. Dimensions variable. Photograph Fiona Morrison.
2017 As long as the night is dark
2017 As long as the night is darkInstallation shot: Wagga Wagga Art Gallery, NSW. Foreground: Talitha Kennedy, Effigy for repressed entropy, 2015. Leather, thread, polyester fibre, wire and gravel. Dimensions variable.
2017 As Long As The Night Is Dark
2017 As Long As The Night Is Dark(detail) Talitha Kennedy, Effigy for repressed entropy, 2015. Leather, thread, polyester fibre, wire and gravel. Dimensions variable. Photograph Fiona Morrison.
2015 Make Believe
2015 Make BelieveTalitha Kennedy, Effigy for repressed entropy, 2015. Leather, thread, polyester fibre, wire and gravel. Dimensions variable (350cm height). BLINDSIDE, Melbourne.  
2016 Drawing to an end
2016 Drawing to an endTalitha Kennedy, A fragile mess of contact (Cautious), 2016. Ink on paper. 79 x 54 cm.
2016 Drawing to an end
2016 Drawing to an endTalitha Kennedy, A fragile mess of contact (Intrepid), 2016. Ink on paper. 79 x 54 cm.
2014 Pervasive Flesh
2014 Pervasive FleshTalitha Kennedy, Pervasive Flesh, 2014. Leather, thread, polyester fibre, wire & gravel. 350 x 500 x 150cm installed in Northern Centre for Contemporary Art, Darwin. Photograph Fiona Morrison.
2014 Botany of the heart
2014 Botany of the heartTalitha Kennedy, Fleshing out my cave, 2014. Ink on paper. 130 x 150cm.
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